斯塔尼斯瓦夫·莱姆（Stanisław Lem，1921－2006） 波兰著名科幻作家、哲学家，被誉为“科幻界的博尔赫斯”，《纽约时报》曾称他“值得一座诺贝尔文学奖”。迄今，莱姆作品已被翻译成50多种语言，在世界范围内畅销超4500万册。 莱姆以博学闻名于世，他智商高达180，通晓英、法、德等7国语言，医学、生物学、数学、哲学、语言学……信手拈来，无所不知。 莱姆的风格怪诞，热衷于用后现代实验拓展文学边界，痴迷于探索超前时代的科幻主题：技术的本质、人类与外星智慧的沟通困境、对人类局限性的绝望、人类在宇宙中的地位……他的作品超越了科幻的思维，直抵哲学的深度，甚至被列为哲学系学生的教材。 莱姆的《索拉里斯星》《未来学大会》多次被搬上大银幕，他的作品启发了《黑客帝国》中的“红、蓝药丸”概念，更影响了刘慈欣、道格拉斯·亚当斯等一大批科幻作家。 2021年为莱...(展开全部)

These wickedly authentic introductions to twenty-first-century books preface tomes on teaching English to bacteria, using animated X-rays to create "pornograms," and analyzing computer-generated literature through the science of "bitistics." "Lem, a science fiction Bach, plays in this book a googleplex of variations on his basic themes" (New York Times Book Review). Translated ...(展开全部)

斯塔尼斯瓦夫·莱姆（Stanisław Lem，1921－2006） 波兰著名科幻作家、哲学家，被誉为“科幻界的博尔赫斯”，《纽约时报》曾称他“值得一座诺贝尔文学奖”。迄今，莱姆作品已被翻译成50多种语言，在世界范围内畅销超4500万册。 莱姆以博学闻名于世，他智商高达180，通晓英、法、德等7国语言，医学、生物学、数学、哲学、语言学……信手拈来，无所不知。 莱姆的风格怪诞，热衷于用后现代实验拓展文学边界，痴迷于探索超前时代的科幻主题：技术的本质、人类与外星智慧的沟通困境、对人类局限性的绝望、人类在宇宙中的地位……他的作品超越了科幻的思维，直抵哲学的深度，甚至被列为哲学系学生的教材。 莱姆的《索拉里斯星》《未来学大会》多次被搬上大银幕，他的作品启发了《黑客帝国》中的“红、蓝药丸”概念，更影响了刘慈欣、道格拉斯·亚当斯等一大批科幻作家。 2021年为莱...(展开全部)

These wickedly authentic introductions to twenty-first-century books preface tomes on teaching English to bacteria, using animated X-rays to create "pornograms," and analyzing computer-generated literature through the science of "bitistics." "Lem, a science fiction Bach, plays in this book a googleplex of variations on his basic themes" (New York Times Book Review). Translated ...(展开全部)

欢迎来到卡牌为主的大陆——易录社大陆

欢迎来到卡牌为主的大陆——易录社大陆

The Book of Imaginary Beings is Borges’s whimsical compendium of more than one hundred of the "strange creatures conceived down through history by the human imagination." This unique contribution to fantasy literature ranges widely across the world’s mythologies and literatures to bring together the fantastical inventions drawn from the Kabbalah, Homer, Confucius,...(展开全部)

The Book of Imaginary Beings is Borges’s whimsical compendium of more than one hundred of the "strange creatures conceived down through history by the human imagination." This unique contribution to fantasy literature ranges widely across the world’s mythologies and literatures to bring together the fantastical inventions drawn from the Kabbalah, Homer, Confucius,...(展开全部)

克里斯蒂安·麦茨，1931年生于法国，1953年获德国文学文学士，从1966年开始在法国高等社会科学院任教，1971年获语言学博士学位。罗兰·巴特的学生。在巴黎大学讲授过克拉考尔的电影理论。后来为巴黎三大影视研究所教授。麦茨是充满理想主义和理性主义的迄今为止最深刻的电影理论家。

When The Cinema, or The Imaginary Man first appeared in 1956, the movies and the moviegoing experience were generally not regarded as worthy of serious scholarly consideration. Yet, French critic and social theorist Edgar Morin perceived in the cinema a complex phenomenon capable of illuminating fundamental truths about thought, imagination, and human nature - which allowed him...(展开全部)